Qwen-Image-2.1 in PIC STUDIO — benchmark v2 against its predecessors

A close-up portrait of a middle-aged woman with short, neatly styled grey hair and striking green eyes. She wears a structured navy blue blazer over a simple white blouse, the fabric showing subtle texture and fine stitching. Her expression is calm and composed, with a slight, knowing smile, and her gaze is directed straight into the lens. Soft, diffused window light illuminates her face from the left, creating gentle highlights on her cheekbones and casting soft shadows that define her features. The background is a smooth, neutral grey, providing a clean and unobtrusive backdrop that keeps the focus entirely on the subject. The lighting is natural and even, enhancing the realistic skin texture and the depth of her eyes. The camera uses a medium telephoto lens with a shallow depth of field, blurring the background slightly to isolate the subject. The overall mood is professional and serene, with a muted color palette dominated by greys, navy, and soft skin tones. The image is a high-resolution photograph with sharp focus on the eyes and natural color rendering.

A matte black wireless headphone rests on a polished walnut desk, its sleek over-ear cups and padded headband catching the soft glow of the morning. Beside the headphone, a simple white ceramic mug sits empty, its smooth surface reflecting the ambient light. The scene is bathed in warm, directional morning light streaming from the left, casting long, gentle shadows across the wood grain. The background is a soft, indistinct blur of neutral tones, emphasizing the shallow depth of field that isolates the objects in sharp focus. The texture of the matte plastic contrasts with the glossy finish of the ceramic and the natural sheen of the walnut. The color palette is muted and earthy, dominated by deep blacks, warm browns, and clean whites, creating a calm and minimalist atmosphere. The camera captures the scene from a slightly elevated angle, using a prime lens to achieve the creamy bokeh effect. The image is a high-resolution photograph with realistic lighting and material rendering, devoid of any lettering or text.

A minimalist still life composition features three distinct geometric shapes arranged in a horizontal row on a pristine white table surface. On the far left, a matte red cube sits with sharp, defined edges, its flat faces reflecting the ambient light subtly. In the center, a smooth blue sphere rests, its curved surface creating a soft gradient of highlights and shadows that emphasize its perfect roundness. To the right, a yellow pyramid stands with a solid base, its triangular facets catching the light to reveal a faceted texture. The objects are evenly spaced, creating a balanced and symmetrical arrangement. The background is a seamless white void, eliminating any distractions and focusing attention entirely on the primary subjects. Studio lighting illuminates the scene from the front and slightly above, casting soft, diffuse shadows beneath each shape that ground them on the table. The lighting is even and controlled, typical of a professional product photography setup, ensuring that the vibrant primary colors of the red, blue, and yellow objects pop against the neutral white environment. The image is a high-resolution digital render or photograph, characterized by clean lines, precise geometry, and a lack of any lettering or additional text.

A charming vintage bakery storefront features a weathered wooden facade with peeling cream paint and exposed brick accents. Above the glass-paneled double doors, a hand-painted wooden sign displays the text "Golden Crust" in elegant, cursive gold lettering. Two round wooden tables with wrought-iron legs sit on the cobblestone sidewalk outside, each accompanied by two mismatched vintage chairs. The tables hold small ceramic vases with dried wildflowers. Warm, golden light spills from the large display windows, revealing shelves stacked with loaves of sourdough and pastries. The scene is set in the late afternoon, with long shadows stretching across the pavement. The camera captures the scene from a straight-on, eye-level perspective using a 35mm lens, creating a balanced composition with a shallow depth of field that keeps the storefront sharp while softly blurring the background street. The color palette is warm and nostalgic, dominated by amber, brown, and muted green tones. The image is a high-resolution photograph with realistic textures, capturing the grain of the wood and the dust on the glass.

A serene fjord landscape at dawn, featuring a small red fishing boat floating gently on the calm, dark water. Thick white mist drifts low across the surface, partially obscuring the base of the steep, rugged cliffs that rise sharply from the water. The towering mountain peaks in the background are capped with pristine white snow, contrasting with the dark, rocky faces below. The sky is a soft gradient of pale pink and light blue, indicating the early morning light. The lighting is diffuse and soft, creating a tranquil and cold atmosphere. The camera captures a wide-angle view from a slightly elevated position, offering a broad perspective of the fjord's depth and scale. The water reflects the muted colors of the sky and the red hull of the boat. The scene is rendered in a realistic photographic style with high detail, emphasizing the textures of the mist, snow, and water. The color palette is dominated by cool blues, whites, and greys, punctuated by the vibrant red of the boat. The image contains no lettering.

A flat vector illustration depicts a sleek, modern laptop resting on a plain surface, its screen glowing with a soft, luminous white light. From the center of the display, a stylized rocket ship launches upward, breaking through the digital boundary as if bursting into the surrounding space. The rocket features a simple, aerodynamic design with a rounded nose cone and small fins, rendered in smooth, solid shapes without complex shading. The color palette consists exclusively of soft pastel tones, including pale pink, mint green, lavender, and cream, creating a gentle and harmonious visual effect. The background is a uniform, untextured field of light beige, ensuring the focus remains entirely on the central action. The composition is balanced and centered, with the laptop positioned horizontally at the bottom third of the frame and the rocket ascending vertically through the middle. The style is strictly minimal, utilizing clean lines, geometric forms, and a lack of intricate details to convey a sense of simplicity and modernity. The image contains no lettering, text, or additional decorative elements, maintaining a pure and uncluttered aesthetic typical of contemporary digital design.

Three friends play beach volleyball on a wide sandy court as the sun dips low on the horizon. One player leaps high into the air, body arched and arm extended, preparing to spike a white and yellow volleyball. The other two friends stand on the sand, one ready to receive and the other watching the play, both wearing athletic swimwear. The setting sun casts extremely long, dramatic shadows that stretch across the textured sand toward the viewer. The sky glows with warm gradients of orange, pink, and purple, creating a vibrant sunset atmosphere. The lighting is golden and soft, highlighting the contours of the players and the ripples in the sand. The camera captures the scene from a low angle, emphasizing the height of the jump and the length of the shadows. The image is a realistic photograph with sharp focus on the players and a slightly softer background where the ocean meets the sky. The color palette is dominated by warm earth tones and sunset hues. The image contains no lettering.

A bright, airy Scandinavian living room features a polished light oak floor with visible wood grain. A plush green velvet sofa sits centrally, its deep emerald fabric contrasting with the pale wood. Behind the sofa, a large floor-to-ceiling window floods the space with soft, diffused natural daylight, suggesting a calm afternoon. To the right, a tall monstera plant with broad, glossy green leaves stands in a simple white ceramic pot, adding organic texture. The walls are painted a crisp matte white, maintaining the minimalist aesthetic. A small, round wooden side table holds a single white ceramic vase. The lighting is even and gentle, casting soft shadows that emphasize the room's depth. The camera captures the scene from a slightly elevated eye-level perspective, using a wide-angle lens to encompass the entire layout. The color palette is dominated by neutral whites, warm oak tones, and the rich green of the velvet and foliage. The overall mood is serene, clean, and inviting, embodying modern hygge principles. The image contains no lettering.

A clean, modern four-step process infographic displayed on a deep charcoal dark background. The layout features four distinct rectangular nodes arranged horizontally from left to right, connected by sleek, directional arrows that flow seamlessly between them. Each node contains a large, bold white number followed by a specific label in crisp white sans-serif typography. The first node on the far left displays the text "1 Collect", the second shows "2 Clean", the third reads "3 Train", and the final node on the right states "4 Deploy". The design utilizes striking red and gold accents, with the arrows and subtle border highlights rendered in a metallic gold gradient, while the numbers feature a vibrant red glow to create visual hierarchy. Above the central sequence, the title "From data to decision" is written in elegant white lettering, centered at the top of the composition. The overall aesthetic is professional and high-contrast, utilizing flat vector graphics with smooth gradients and sharp edges. The lighting is uniform and digital, emphasizing the clarity of the white text against the dark surface. The image contains no other lettering or decorative elements, maintaining a minimalist and focused presentation suitable for a business presentation or technical documentation.

A minimalist bar chart displayed on a pure white background, featuring three vertical rectangular bars of varying heights. The text "Time saved per week" is written at the top center in a clean, black sans-serif font. The leftmost bar is medium height, colored in a neutral grey, with the text "Email 4 h" printed directly above it in small black letters. The middle bar is the tallest, rendered in a vibrant solid red, with the text "Search 6 h" printed above it in black. The rightmost bar is the shortest, colored in the same neutral grey as the first, with the text "Reports 3 h" printed above it in black. The bars are evenly spaced with no gridlines, axes, or additional decorative elements, creating a flat, two-dimensional vector graphic appearance. The lighting is uniform and shadowless, emphasizing the flat design and high contrast between the colored shapes and the white space. The image contains no other lettering or textures.

A flat design data visualization featuring a donut chart centered on a light grey background. The chart consists of three distinct segments: a large segment occupying sixty percent of the ring, a medium segment occupying thirty percent, and a small segment occupying ten percent. The segments are rendered in solid, contrasting colors typical of modern dashboard aesthetics. To the right of the donut, a vertical legend lists the categories with corresponding color swatches. The text "60% Local" is written next to the first swatch, "30% Cloud" next to the second, and "10% API" next to the third, all in a clean sans-serif font. Above the chart, the title "Where inference runs" is written in a bold, dark grey sans-serif typeface. The composition is balanced and minimal, with no shadows or gradients, emphasizing clarity and readability. The image contains no other lettering or decorative elements.

A horizontal flowchart diagram rendered in a clean, minimalist vector style on a pure white background. Five rounded rectangular boxes are arranged in a linear sequence from left to right, each featuring a thin blue outline and a white fill. The first box contains the text "Request" in a simple black sans-serif font. An arrow points right to the second box, labelled "Check". Following this, a diamond-shaped decision node with a blue outline appears, connected by an arrow from the Check box. The diamond branches into two paths: an upper arrow labelled "Yes" and a lower arrow labelled "No". The Yes path leads to the third rounded box, labelled "Approve", which connects via an arrow to the fourth box, labelled "Sign", and finally to the fifth box, labelled "Archive". The No path loops back or terminates, maintaining the blue outline aesthetic. All text is black, legible, and centered within its respective shape. The image contains no other lettering or decorative elements, focusing entirely on the structural logic of the process.

An isometric exploded-view technical schematic of a single wireless earbud, rendered in a precise engineering drawing style on a pure white background. The device is disassembled into four distinct components, floating in a vertical stack with clear separation. The top component is the smooth, matte white outer shell, shaped like a teardrop. Below it hovers the compact, rectangular lithium-ion battery, depicted in a light grey tone. The third layer is the circular acoustic driver, showing its metallic diaphragm and copper voice coil. The bottom element is the thin, flexible antenna, coiled in a spiral shape. Thin, black leader lines extend from each component to specific labels. The text "shell" is written next to the top part, in a clean, sans-serif font. The text "battery" is written next to the second part, in a clean, sans-serif font. The text "driver" is written next to the third part, in a clean, sans-serif font. The text "antenna" is written next to the bottom part, in a clean, sans-serif font. The lighting is flat and even, eliminating shadows to emphasize the technical clarity. The lines are sharp and uniform, typical of CAD software output. The overall mood is clinical, precise, and informative, focusing entirely on the internal architecture of the audio device.

A horizontal timeline infographic displayed on a dark navy blue background, featuring a sleek, continuous line stretching across the center. Four distinct milestones are evenly spaced along this line, each marked by a circular node and a unique, minimalist icon rendered in vibrant orange. The first node on the left displays a paper airplane icon, with the text "2024" and "Pilot" written below in clean, white sans-serif lettering. The second node features a rocket ship icon, accompanied by the text "2025" and "Rollout" in white. The third node shows a bar chart with an upward arrow, labeled with the text "2026" and "Scale" in white. The final node on the right contains a gear icon, with the text "2027" and "Optimize" written beneath in white. The design utilizes a flat vector style with sharp edges and high contrast, ensuring the orange accents pop against the deep navy backdrop. The composition is balanced and symmetrical, with ample negative space surrounding the central timeline to maintain clarity and focus. The image contains no other lettering or decorative elements.

A digital advertising key visual in a 16:9 landscape format. The background is a deep, near-black color with a subtle dark red radial glow in the center. In the upper third of the composition, the wordmark from image 1 is placed large and unchanged, preserving its exact typography, white and red coloring, and the tagline below it. In the lower two-thirds, a stylized neural network is depicted. This network consists of thin, glowing red lines connecting small, bright gold nodes. The network structure is abstract and organic, spreading across the dark space. The entire image strictly uses the color palette from image 2, utilizing the near-black background, the specific reds for the lines and wordmark accents, and the gold for the nodes and text details.

A large, blank white billboard stands prominently on a modern city street corner during the blue hour of dusk. The smooth, matte surface of the sign is completely empty, devoid of any graphics or lettering. Below, the wet asphalt pavement glistens with rain, creating a mirror-like surface that reflects the warm amber glow of streetlamps and the cool blue tones of the fading sky. The viewpoint is low, positioned directly on the pavement, looking slightly upward toward the billboard, which dominates the upper frame. In the background, blurred silhouettes of contemporary glass skyscrapers rise against the twilight sky, their windows twinkling with interior lights. The scene is bathed in soft, diffused ambient light, with sharp specular highlights on the wet ground. The color palette features deep indigos, slate grays, and vibrant orange reflections. The image is a high-resolution photograph with a shallow depth of field, keeping the billboard in sharp focus while the distant cityscape remains softly out of focus, evoking a quiet, urban atmosphere.

Place the wordmark from image 2 onto the empty white billboard in image 1. The billboard surface is filled with a near-black background, and the wordmark is centered on it. The wordmark consists of the text "YEAR2066.ai" in a bold sans-serif font, with "YEAR" and ".ai" in white and "2066" in red, positioned above the text "AHEAD OF ITS TIME" in smaller, gold, spaced-out capital letters. The surrounding environment remains exactly as in image 1: the wet street with its golden reflections, the city skyline in the background, the streetlights, and the overall lighting and composition are preserved without any changes.

The white ceramic mug in image 1 is the only element that changes. The wordmark of image 2 is printed on the visible side of the mug in vivid red, following the curvature of the ceramic surface so the lettering wraps naturally around the cylinder. The wordmark is copied exactly from image 2, including its lettering style, the red accent on the digits, and the smaller tagline beneath it. Everything else in image 1 stays exactly as in the source: the black over-ear headphones, the dark wooden table, the soft directional lighting, the shadows, the background wall, the composition, the camera angle, and the overall colour palette.

A campaign photograph of a diverse team of four people standing in a modern office, looking at a large wall screen. The screen displays the wordmark of image 1 against a near-black background, featuring vivid red accents, a gold highlight, and warm white text in bold geometric sans-serif typography. The wordmark of image 1 also appears small in the top-left corner of the picture. The scene uses the color palette from image 2, with a dark background, warm white text, and red and gold accents. The lighting is professional and even, highlighting the faces of the team members and the screen. The composition is balanced, with the team positioned in the foreground and the screen dominating the background.

A close-up campaign photograph of a laptop resting on a dark desk, its screen displaying a dark analytics dashboard. The dashboard header features the wordmark of image 1, rendered in bold geometric sans-serif typography with the red and gold color treatment visible in that image. The dashboard interface includes vivid red charts, gold highlight bars, and warm white text labels, all set against a near-black background. The surrounding environment is dimly lit, emphasizing the glow of the screen. The color palette strictly follows the swatches in image 2, utilizing the deep black background, warm white text, vivid red, soft red, deep red, gold, muted beige, and dim brown tones. The composition is a tight, angled shot focusing on the laptop screen, with shallow depth of field blurring the desk surface slightly.

A wide campaign photograph of two business people shaking hands in the center of the frame. They stand in front of a dark glass wall that displays the wordmark of image 1 in warm white. A red light strip runs along the floor, and the background is near-black. The scene uses the color palette from image 2, featuring vivid red accents, a gold highlight, and warm white text. The overall aesthetic is defined by bold geometric sans-serif typography and a modern, professional atmosphere.

A minimalist advertising poster features a near-black background that absorbs light, creating a deep, void-like atmosphere. Vivid red accents appear as thin, sharp geometric lines framing the composition, while a single gold highlight adds a subtle metallic sheen to the lower right corner. The headline "AHEAD OF ITS TIME" is written in the centre in huge, bold, warm white letters using a geometric sans-serif typeface. Below the headline, the text "YEAR2066.ai" is written in vivid red, maintaining the same bold geometric style but at a smaller scale. The layout is strictly centered with ample negative space, emphasizing the stark contrast between the dark background and the bright typography. The lighting is flat and even, ensuring the text remains the sole focal point without shadows or gradients. The overall mood is futuristic, clean, and authoritative, relying on the interplay of black, white, red, and gold to create a striking visual impact. The image contains no other objects, figures, or decorative elements, focusing entirely on the typographic design.

Create an abstract hero image for a technology website in a wide 16:9 frame, using only the colours from image 1: the near-black background #050304, the warm white #fffaf3, the bright red #ff3e3e, the soft red #ff6b6b, the deep red #8b1118, the gold #f7c86a, and the muted warm tones #cfc0b4 and #8d7a70. The scene shows flowing light trails and soft glows drifting across the dark field, with red and gold streaks curving like luminous ribbons, gentle halos of warm white and soft red blooming in the background, and subtle deep-red shadows anchoring the composition. The trails vary in thickness and opacity, some sharp and bright, others diffused into misty glows, creating a sense of motion and depth. No text, no letters, no symbols, no recognizable objects, no people, no logos. The overall mood is sleek, modern, and energetic, suitable as a full-width banner for a technology website.

Replace the background of image 1 with a stormy sea under dark clouds and big waves. The fisherman in image 1 stays exactly as he is: his identity, face, white beard, green knit beanie, yellow raincoat, grey sweater, hands resting on the weathered wooden post, his pose, proportions, and the wooden pier in the foreground all remain unchanged. The new background shows a turbulent ocean with large crashing waves, a heavy dark overcast sky, and a moody, dramatic atmosphere. The lighting on the fisherman is preserved as in the source image, and the overall composition, framing, and camera viewpoint follow image 1.

In image 1, a white seagull sits calmly on top of the weathered wooden mooring post in the lower right foreground, positioned just beside the man's resting hand. The seagull faces slightly toward the left, its feathers rendered in clean white with soft grey shading on the wings, matching the overcast, diffused lighting of the scene. Its posture is relaxed and natural, as if it has settled there for a moment. Every other element of image 1 remains exactly as in the source: the elderly man with his white beard, green beanie, and yellow raincoat, his pose and expression, the wooden pier extending to the left, the fishing boats moored in the background, the grey cloudy sky, the water, and the overall composition, proportions, colours, and photographic style.

Edit image 1 by removing the three fishing boats moored in the background on the left side of the harbour, including their masts, rigging and hulls, and fill the area they occupied with calm, flat harbour water that matches the existing water surface in tone, colour and texture. The water extends smoothly to the horizon under the overcast sky, with no boats, masts or reflections of vessels remaining in that section. Everything else in image 1 stays exactly as in the source: the elderly bearded man in the yellow raincoat and dark knit hat, his pose with both hands resting on the weathered wooden post, the wooden pier in the foreground, the remaining boat on the right, the cloudy sky, the lighting, the colours, the composition, the proportions and the photographic style are all preserved unchanged.

In image 1, change the colour of the fisherman's knitted beanie cap from dark green to dark blue, and change the colour of the sweater visible at his neckline from grey to red. Keep the man's face, white beard, yellow raincoat, pose, hands on the wooden post, the harbour, the fishing boats, the pier, the water, the overcast sky, the lighting, the composition, the proportions and every other element exactly as in image 1.

Transform image 1 into an impressionist oil painting with visible, textured brush strokes throughout the entire frame. The old bearded man in the yellow raincoat and green beanie, the weathered wooden pier, the moored fishing boats, the grey water, and the overcast sky are all rendered in loose, painterly strokes of color rather than photographic detail. The composition, framing, and placement of every element remain exactly as in image 1: the man stands center-right leaning on the wooden post, the pier extends to the left, and the boats sit in the background under a cloudy sky. The lighting, color palette, and proportions are preserved from the source, now expressed through the characteristic dabs and directional strokes of an impressionist oil medium.

Re-render image 1 as a medium shot taken from a right side view at eye level. The fisherman stands on the wooden pier, his body turned so the camera captures his right profile. He keeps his exact identity, face, white beard, and proportions. He wears the same dark green knit beanie, grey sweater, and bright yellow raincoat. His hands rest on the weathered wooden post in the foreground. The background shows the same harbour scene with the row of moored fishing boats, the calm water, and the overcast grey sky. The lighting, colours, and photographic style remain identical to the source image.